EM Sounds of a 15-inch MacBook Pro (In Glorious Stereo)

Recorded via stereo 400 millihenri coils. The song you hear part way through is Julian Cope’s ‘Laughing Boy’ from the album ‘FRIED’. It started playing on YouTube after restarting the computer, which evidently never goes (electromagnetically) completely silent during a restart. It is recorded here not acoustically, but through electromagnetic emissions due to movement of the computer speaker coils.

Tatsuya Nakatani @ Lyons Zemi

We’ll be wrapping up the last class of the year with a visit from master percussionist and improvisor Tatsuya Nakatani. Tatsuya is a Kansai native who has been living in the USA and touring the world for just about as long as I’ve been living in Japan (and touring the world.) This should be an exciting event and Tatsuya said we can invite anyone who may be interested. The more the merrier. So invite any of your friends who may enjoy having their ears and minds opened.

  • Tatsuya Nakatani, Guest Talk and Performance
  • 2013年1月15日(火)2時限目(10:40ー12:10)
  • 充光館301

Clicking on either picture will take you to a Facebook page for this event.

Walls of Kyoto – Cabaret Voltaire live in Tokyo, 1982

This is what really good electro sounded like live in 1982. In those days this was known as industrial music. Cabaret Voltaire was one of the first groups to play like this along with Throbbing Gristle. Lo Fi video art was de rigueur for industrial bands even in the days before MTV.

Check out the video for the early CV track ‘Obsession’. This may be more accessible than the above live track.

I’ll bet Grimes has given Cabaret Voltaire a good listen. Certainly there’s a direct link via Skinny Puppy.

Finally, here’s the video for one of my fave CV tracks, ‘Nag Nag Nag’.

I first heard Cabaret Voltaire on an alternative radio show in the late 70s and a while later saw some of their videos on late-night cable tv. It seemed pretty fresh then because there was not much else around combining techno (at that time disco) beats with noise. In retrospect this was experimental pop music, though at the time it seemed too deviant to be pop. At some point, the subversive deviance of the late 70s/early 80s industrial subculture was recuperated.

Dark Charisma

There’s currently a brief but insightful article in the BBC online magazine, probably timed for Remembrance Day. The composite of Hitler pics is really well done and stimulates thought about just what was responsible for Hitler’s popularity. And it made me think about people I know who exhibit some Hitler-like behaviour. Won’t name those here, but you might think about whether these pictures remind you of anyone you know, whether in real-life or in the media.