Next Level Shit

I recall first seeing a Die Antwoord video two or three years ago. It was the strangely trashy YouTube video for the single ‘Beat Boy’ with an interview about South African Zef counter-culture:

I can’t recall how that video hit my radar, and I promptly forgot about it. In the meantime, Die Antwoord has broken through and their videos attract millions of YT views. The stuff is viral, addictive, and toxic as crack. Zany and sometimes wicked parody seems to work as a kind of Trojan Horse for critical viewers. Most viewers, who may not understand much of the parody are probably dazzled by the eye-candy (eye-smack, really) and the uncanny vocals that mix South-African English, and unfamiliar Afrikaans and Xhosa languages. Where did Ninja and YoLandi park the UFO? In one YT interview, shows Ninja (humourously) losing his temper at an interviewer who ask about their involvement with ‘conceptual art’, while Yolandi pretends not to understand the term. But dig a little deeper and you’ll see that indeed Die Antwoord have dablled in the art world and have collaborated with Leon Botha and Harmony Korine.

China My China (1974)

This pre-MTV music video shows Brian Eno performing the track China My China from his second solo album Taking Tiger Mountain (By Strategy) in front of a Nam-Jun-Paik-like television wall. Judy Nylon and Polly Eltes provide backing on guitars. Check out the use of a typewriter for percussion from about 1:40. This is post-punk from the period before punk. Performance artist/musician Judy Nylon looks really new wave, but this is 1974, not 1980. This is closer to video art than music video. Surely Eno’s concerns here are artistic, not aimed at gratification of a pop audience. As with other innovative Eno works there seems to be a focus on process over product. Something to reflect on as we begin a new year.

Here’s another track from the same album. Third Uncle is considered notable as an example of proto-punk, but again this is really closer to post-punk. There’s a strong resemblance to Joy Division here, however this was recorded a couple of years before Joy Division was formed.

15 minutes with Andy & Laurie

andy_laurie

“And there’s Andy Warhol’s fifteen minutes. His time limit for fame, for the spotlight. And so why is it fifteen minutes, and not ten or three? Or a New York minute? And then I remembered – fifteen was a famous number at that time. It was in all the papers: fifteen minutes was the time that took for an ICBM to reach New York City from Moscow. You remember Moscow.”(Laurie Anderson, 2003)

(ICBM = 大陸間弾道ミサイル)

Shoot Film!

Demo Reel — 2012 from Evan Prosofsky on Vimeo.

Check out this show reel of music videos with cinematography by Montreal based Evan Prosofsky. All shot with super 35mm and super 16mm and Arriflex cameras. Perhaps you’d already noticed the filmic look of Grimes’ breakthrough video for ‘Oblivion‘, directed by, also based in Montreal, Emily Kai Bock, and featuring the football team of my alma mater マギル大学. The demo reel comes with the byline: “Please help keep film alive! Shoot film.” and Evan’s CV indicates that most of his projects are done with film, though he has used Red cameras on a couple of videos.

Anyways, shoot film! It’s one way to stand out from the crowd.