Teshima Art Museum – 豊島美術館

The Teshima Art Museum opened in 2011. The center piece of this outdoor ‘museum’ is a concrete thin-shell structure by artist Rei Naito and architect Ryue Nishizawa. Two oval openings in the roof let pass the sounds of the trees, birds, the wind, and the nearby Inland Sea. Water seeps slowly through many tiny holes in the floor, aggregates into drops of various sizes then snakes towards the lowest local point, where it empties again into the tiny holes. Visitors wander the strangely shaped, barren space, a singular environment that selectively amplifies sounds inside and outside the shell. Gradually attention is drawn towards the drama of surface tension and energy minimization being played upon the floor. Watching the surprisingly complex dynamic shapes of the water drops suggests fantasies about the origins of life on earth. The remarkable and somewhat mysterious physical properties of water must be part of what led living matter to get a start on the planet. The shell provides a shelter for quiet and focused meditation on the sounds of the surrounding natural environment and the movements of water on the smooth subtly shaped concrete. Late 20th century technology, in the form of the thin concrete shell, initially visually impressive both outside and inside, gradually slips into the background.

From the museum home page:

Uniting the creative visions of artist Rei Naito and architect Ryue Nishizawa, Teshima Art Museum stands on a hill on the island of Teshima overlooking the Inland Sea. Shaped like a drop of water, the museum lies in a corner of the spacious grounds surrounded by once-fallow rice terraces that have been restored with help from local residents.
Structurally, the building consists of a concrete shell, devoid of pillars, coving a space 40 by 60 meters. On the highest ceiling 4.5 meters above, two oval openings allow the air, sounds, and light of the world outside into this organic space where nature and architecture seem intimately interconnected. Inside one finds an ever-flowing fountains and an ambiance that changes from hour to hour and season to season, revealing countless appearances as time passes.

「直島銭湯 I♥湯」I♥ユー


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The artist who created this unique and delightful sento Shinro Ohtake (大竹伸朗), must have known I was coming, because just as I entered the hot water, Fripp & Eno‘s 1975 ambient album Evening Star began to play. It was impossible for me to leave without listening to the entire 45 minute album. Needless to say, I had a good long soak.

You can listen to track 2, on YouTube. Try it in the bath.

Thinking Out Loud in Naoshima

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I’m spending a couple of days in Naoshima recovering from several weeks of publication and reviewing deadlines, administrative duties, and too many long meetings.

No photos allowed inside the splendid contemporary art museums here, so instead I’ve tested the inadequacy of (my) words by recording some spontaneous thoughts while viewing artworks. The following unedited 25 minute ramble is completely off the top and in all likelihood boring or ridiculous.

Joseph Beuys in Ubud, Bali

It has been seven years since I was on the magical island of Bali. So magical that I managed to capture the voice of Joseph Beuys while doing some field recordings in the rice paddies surrounding Ubud:

(A note of thanks to Ableton, Leonardo of Pisa (aka Fibonacci) and, not least, Ubudweb.

 

kuniko plays reich in kyoto

I’m really looking forward to this concert. What a cool poster!!! It has two holes in the shape of marimba mallets.

On the program:

  • Steve Reich – Electric counterpoint (version for percussion)
  • Steve Reich – Six marimbas counterpoint
  • Steve Reich – Vermont counterpoint (version for vibraphone)
  • Iannis Xenakis – Rebonds (a,b)

More info. about composer Steve Reich is available at his official web site. You can also have a look at the Wikipedia (English, 日本語). Similarly, you might like to read up about Iannis Xenakis at the Wikipedia (English日本語) as well as the official Xenakis site in French and English.

Here are the details about the concert from the web page of the Kyoto Art Center:

国内外で活躍するパーカッショニストの加藤訓子を特集するMusic Room vol.10。近年加藤が精力的に取り組むミニマル・ミュージックの作曲家、スティーブ・ライヒの作品を中心に、創造性あふれる演奏をお楽しみください。
日時:2012年3月18日(日) 開演15:00 (開場14:30)
会場:講堂
構成・出演:加藤訓子(パーカッショニスト)
音響空間デザイン:深田晃
料金:一般前売1,800円/当日2,000円、大学生以下1,000円(前売・当日共)
チケット取扱:京都芸術センター窓口<10:00-20:00>、チケットぴあ(Pコード:160-836)にて発売中
※本ウェブサイト左上の「このイベントを申し込む」からも予約可。大学生以下券をお求めの場合は、備考欄に「学生」とご記入ください。
※就学前児童の入場はご遠慮ください。

東京五美術大学連合卒業・修了制作展

The best art exhibition currently on in Tokyo is free, open on Mondays, allows picture taking, and is held in one of the most stunningly cool buildings in the metropolis, The National Art Center (国立新美術館). If you’re in the capital, this is the one to see. It feels very good indeed that our tax money is used in a way that is clearly beneficial to the well-being and future of the country.
(click thumbnails for larger images)




Tokyo

I’m visiting Tokyo for a couple of days to work on an article with a colleague. I’ll also have some time for museum and art gallery visits. First stop: Mori Art Museum in the Roppongi Hills complex, where I caught two shows today, including a major solo exhibition by one of East Asia’s leading contemporary artists, Lee Bul. The show is billed as the “First large scale solo exhibition by Asia’s leading female artist.” I’m not sure whether or not Lee Bul is Asia’s leading female artist. Her artfacts.net ranking is dropping. But her work certainly has great intellectual depth and originality. I may post something separately about the show.

Picture-taking was not allowed inside the Lee Bul show. Here are a few shots taken afterwards.

Spotted in the Mori Art Museum bookshop: Japanese and English catalogues for the recent exhibition on the Metabolist architectural movement, and Rem Koolhaas‘ recent book on the subject. More about this in another future post.

There are some stylishly dressed people in the Mori Arts Museum. I liked this lady’s blue and black colour scheme, to which the photo does no justice.

The plaza outside the Mori Tower has a cosmopolitan atmosphere that recalls parts of Montreal. This Louise Bourgeois spider sculpture contributes to the feeling.

Both Google and Baidu have offices in the Mori Tower, as do Goldman-Sachs and Barclays. Rent must be high and things seem expensive here.

Witnessed earlier in Yuraku-cho on the way to Roppongi from Tokyo station:

After seeing prices in Roppongi Hills complex, it is much easier to understand why everyone is desperate to win the lottery.

Inside Roppongi station, on the Hibiya line. Wherever we go, we’re soon reminded of home.