I♥フィルム Pt.II

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More film photos, this time taken with a Nikon FM2 and Nikkor 50mm f1.8, a classic camera and lens both of near-legendary quality, and Kodak Gold 400. This film is one of Kodak’s cheapest offerings but, as you can see, there is nothing cheap about the quality. Some of these scenes should be familiar since they were all taken in Kinugasa, not far from campus.

By the way, when are we going to start making life easier for cyclists? Bicycles have the potential to help solve some of the world’s biggest problems.

I♥フィルム

I always bring both film and digital cameras on my travels. This time I brought only my iPhone 4s, Nikon F3 (HP model) and two lenses Nikkor 24mm f2.8 and Nikkor 50mm f2.0 on my trip to Naoshima. I’ve had the 50/2.0 lens since I bought it new in 1977, when I was 15 years old. These pictures were taken using Kodak Portra 160 film (both NC and new types).

MAVOxやなぎみわ: 1924人間機械

Conceptual art photographer Miwa Yanagi is producing Tomoyoshi Murayama (村山 知義) 1924 play  Ningen Kikai (人間機械). Performances will be held at the Museum of Modern Art, Kyoto April 13-15, in conjunction with the Murayama exhibition. Tickets may be reserved at Miwa Yanagi’s official web site.

ビデオアート@百万遍

Students from Kyoto University of Art and Design (京都造形芸術大学) are holding an exhibition of video art in a dis-used office just east of Hyakumanben, on the south side of Imadegawa street. If you are interested in video art, it is well worth going to have a look. The exhibition will be open again next week (金土日). Check the flier above for details. Here’s the access map.

Ends today in Paris …

This exhibition, which ends today in Paris, includes works by Hiroshi Sugimoto, Tadanori Yokoo, Takeshi Kitano, David Lynch, Patti Smith, and others. The exhibition was created through a dialogue between the artists and practicing mathematicians. I love the byline, a quote by Alexandre Grothendieck, that mathematics offers a “a sudden change of scenery.”

The Fondation Cartier created an iPad app to introduce the exhibition and it is available free in the iTunes store.

Teshima Art Museum – 豊島美術館

The Teshima Art Museum opened in 2011. The center piece of this outdoor ‘museum’ is a concrete thin-shell structure by artist Rei Naito and architect Ryue Nishizawa. Two oval openings in the roof let pass the sounds of the trees, birds, the wind, and the nearby Inland Sea. Water seeps slowly through many tiny holes in the floor, aggregates into drops of various sizes then snakes towards the lowest local point, where it empties again into the tiny holes. Visitors wander the strangely shaped, barren space, a singular environment that selectively amplifies sounds inside and outside the shell. Gradually attention is drawn towards the drama of surface tension and energy minimization being played upon the floor. Watching the surprisingly complex dynamic shapes of the water drops suggests fantasies about the origins of life on earth. The remarkable and somewhat mysterious physical properties of water must be part of what led living matter to get a start on the planet. The shell provides a shelter for quiet and focused meditation on the sounds of the surrounding natural environment and the movements of water on the smooth subtly shaped concrete. Late 20th century technology, in the form of the thin concrete shell, initially visually impressive both outside and inside, gradually slips into the background.

From the museum home page:

Uniting the creative visions of artist Rei Naito and architect Ryue Nishizawa, Teshima Art Museum stands on a hill on the island of Teshima overlooking the Inland Sea. Shaped like a drop of water, the museum lies in a corner of the spacious grounds surrounded by once-fallow rice terraces that have been restored with help from local residents.
Structurally, the building consists of a concrete shell, devoid of pillars, coving a space 40 by 60 meters. On the highest ceiling 4.5 meters above, two oval openings allow the air, sounds, and light of the world outside into this organic space where nature and architecture seem intimately interconnected. Inside one finds an ever-flowing fountains and an ambiance that changes from hour to hour and season to season, revealing countless appearances as time passes.

「直島銭湯 I♥湯」I♥ユー


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The artist who created this unique and delightful sento Shinro Ohtake (大竹伸朗), must have known I was coming, because just as I entered the hot water, Fripp & Eno‘s 1975 ambient album Evening Star began to play. It was impossible for me to leave without listening to the entire 45 minute album. Needless to say, I had a good long soak.

You can listen to track 2, on YouTube. Try it in the bath.

Thinking Out Loud in Naoshima

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I’m spending a couple of days in Naoshima recovering from several weeks of publication and reviewing deadlines, administrative duties, and too many long meetings.

No photos allowed inside the splendid contemporary art museums here, so instead I’ve tested the inadequacy of (my) words by recording some spontaneous thoughts while viewing artworks. The following unedited 25 minute ramble is completely off the top and in all likelihood boring or ridiculous.